Last week I went to the TCM Classic Film Festival and had a freaking awesome time. A wallow for movie lovers, like me. It was about the camaraderie of meeting fellow buffs in line, of watching classics I love with others who love them, too, and on the BIG screen.
SUNDAY. One of the first movies announced by TCM for the festival was Holiday (1938). It's not an especially popular film, yet it's perhaps my favorite movie of all time, and so I took its early inclusion as a sign from God and Robert Osborne that I was meant to go to the festival this year.
Kate plays Linda Seton. She's rich, sheltered, and confused. The alienated black sheep of a prominent New York family. She wants to do good in the world, but is confused about how. She just knows that she's not content with the way her family and their friends worship the almighty buck.
Her kid sister, Julia, brings home a most fascinating chap. Johnny Case (Cary Grant). Julia and Johnny met and fell madly, instantly in love on the slopes in Lake Placid. Now that they're back from vacation, Julia and Johnny have to deal with the reality of their lives. Julia is a Park Avenue heiress who (unlike Linda) loves her life of privilege. Johnny is a self-made success, who believes that money is the means to an end.
Now that he has some money socked away, Johnny wants to take time off -- like a year or three -- to spend it. He wants a "holiday," to travel and meet people, learn the meaning of life.
Julia is appalled, but Linda thinks this is fantastic! Loving her sister as she does, Linda wants the wedding to take place. She believes Johnny is just what the Seton family needs. Julia wants Johnny, because he's clever and good looking, but she wants to change him into a Seton.
Oh, yeah. And Linda is falling in love with him. This causes her much pain, because he belongs to her dear Julia.
Despite its star power, this is a "little" movie. Dialog driven, it takes place mostly in the Seton home. I loved seeing it with people who appreciated it like I did. I watched one of the final scenes through tears, and I wasn't the only one sniffling. That's the wonderful thing about the TCMFF -- we lose ourselves in these films.
The barebones of the plot: a wealthy playboy learns the value of doing good and turns his life around. In glorious technicolor! My favorite scene has brain surgeon Rock Hudson scrubbing for an emergency operation ... shirtless. What? Don't all brain surgeons spritz their bare chests before grabbing the bone saw? I wasn't the only one in the theater laughing out loud, but our laughter was affectionate, not derisive. We were all there because we love these movies.
It was introduced by Barbara Rush, who was the movie's ingenue back in 1954. I was tickled to see her. She was in TV's Peyton Place and she starred in the first professional theatrical production I ever saw -- Same Time, Next Year at the Blackstone Theater here in Chicago -- back when I was still in high school. She's frail, but quite glamorous.
The Complicated Legacy of Gone with the Wind. The only TCMFF panel I attended, but it was so provocative and intriguing. A quartet of film historians and authors discussed two inarguable points: GWTW is un-PC to the point of being offensive, and yet it's a great and highly watchable movie. As women, how do we process Scarlett, Mammy and Melanie? As people of color, how do we handle the romanticized depiction of slavery and Reconstruction? It lasted an hour and it could have gone on an hour more.
Gone with the Wind (1939). Back to the BIG screen for the biggest movie of all time. The first movie ever shown on TCM. It was so very fitting that this was the last movie I saw at my first TCMFF.
Too bad you could not arrange for Burt Bacharach to be your date at the 「Ocean's Eleven」pool party with Angie Dickinson. Then the fur would fly!
ReplyDeleteI almost think I've seen Holiday recently (in the past six months). I remember it being cheeky.
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