A TRIBUTE TO GAIL PATRICK
You know her: The dark-haired beauty who bedevils the fair-haired heroine. Stylish and smart, she was always a formidable foe, but -- movies being what they are -- she never wins. In short, spicy Gail Patrick helped make such leading ladies as Carole Lombard, Ginger Rogers and Irene Dunne seem twice as sweet. Her screen persona is clearly illustrated in three of her most famous films: My Man Godfrey, Stage Door, and My Favorite Wife.
My Man Godfrey (1936). At the center of this sublime screwball comedy are the Bullocks, a Park Avenue family has more eccentricities than sense. Gail Patrick is sophisticated Cornelia, the sister who has to win at all costs. The inimitable Carole Lombard is adorable Irene, who has so much heart and humor that they crowd out common sense or killer instinct, making it easy for Cornelia to best her at every opportunity … until a new butler, Godfrey (William Powell). enters their lives and puts his thumb on the scales, tipping them in Irene's favor.
Unlike the guileless Irene, Cornelia is smart and scheming and makes no attempt to hide it. At one point she requests a favor of her current beau, he automatically asks, "Who do you want killed?" She dismisses this comment as silly, not because she's not that kind of girl but because, "I do my own killing."
Cornelia is a beautiful woman, so it's not impossible to imagine men preferring her to the luminous Lombard. In Gail Patrick's best scene, Cornelia makes a serious play for Godfrey. He responds by telling her how he feels about her, calling her a spoiled "Park Avenue brat" who wastes her energies on childish pursuits that are beneath contempt -- even the contempt of a butler. Because Cornelia admires Godfrey, his words hit her like a whip. She visibly winces but then replies haughtily, "Thank you for a lovely portrait." Naturally, we're glad our hero Godfrey sees Cornelia for the selfish scorpion she is and prefers Irene. But the way Patrick plays it, we're touched by her sad attempt to retain her dignity and we find ourselves pulling for her despite ourselves, hoping that she will see the light and turn her life around.
Linda and Jean are dancers who compete not only for musical-comedy parts, but for the attention of the much older and very influential producer, Anthony Powell (suave and slimy Adolphe Menjou). As the movie begins, Linda is Powell's current "flavor of the month." Linda relishes this not only because it can advance her career, but because Powell is showing her a life she could never afford on her own. It also gives her prestige in the boarding house. And remember, Linda is sharing space with some very formidable roommates -- in addition to Hepburn and Rogers, the stellar cast includes Lucille Ball and Eve Arden.
The scenes between Linda and Jean crackle with tension, because (1) each recognizes how worthy her adversary is, and (2) the prizes at stake -- a modicum of financial stability and even better, a part! -- are so rare and dear in their world.
Linda: If you were a little more considerate, maybe Mr. Powell would send his car for you someday. Of course, he would probably take one look at you and send it back … You know, I think I could fix you up with Mr. Powell's chauffeur. The chauffeur has a very nice car, too.
Jean: Yes, but I understand that Mr. Powell's chauffeur doesn't go as far in his car as Mr. Powell does.
Linda: Well, even a chauffeur has to have an incentive.
My Favorite Wife (1940). At last it looks like Gail Patrick gets the man. And, oh, what a man! At the beginning of the movie, her Bianca Bates marries Nick Arden, played by none other than Cary Grant. But romance never runs smoothly for typical Gail Patrick girls, and Bianca is no different.
The film opens with Bianca and Nick trading I Do's before a judge. Nick has just had his beloved wife Ellen declared dead, a full seven years after she went missing at sea. While Nick and Ellen were once happy together and had two lovely children, he believes it's time to move on.
Unbeknownst to Nick and Bianca, Ellen Arden (Irene Dunne) has just been rescued from the Indonesian island where she's been shipwrecked all this time and she's on her way to back to a joyous reunion with her husband and children. Uh-oh!
After she receives a tip from Nick's sympathetic mother, Ellen takes off for Yosemite, hoping to interrupt Nick and Bianca's honeymoon and reclaim her man. Just as the elevators close, taking him and his new bride to their hotel room, Nick catches sight of Ellen. But it can't be! He just had her declared dead! Naturally, he's shaken.
After quite a bit of charming slapstick, Nick realizes that Ellen is indeed back, healthy and whole, and he's thrilled to have her. But now he has two wives. What to do?
The contrast between heroine and interloper is so clearly drawn, it's as though director Garson Kanin and screenwriter/producer Leo McCarey used a thick, black magic marker. Irene Dunne is fair-haired, Gail Patrick is dark. Dunne's character is the homespun Ellen, and Patrick is the more exotic Bianca. Ellen is a loving mother, Bianca is childless and, at best, a dubious stepmother. Ellen was able to thrive on a deserted island, whereas Bianca couldn't survive without room service. The sophisticated Bianca calls on a foreign-born psychiatrist to help her understand Nick's sudden coolness and erratic behavior. Ellen is a well-adjusted, neuroses-free All American Girl.
So while the movie itself is funny and endearing, in My Favorite Wife, Gail Patrick found her quintessential, and most thankless, role. With Bianca she's not so much a character as a clever plot device. Yet she acquits herself admirably. Nick makes it clear that Bianca was good to/for him after he "lost" his wife and, if he's not exactly in love with her, he appreciates her and doesn't want to hurt her. So it's Cary Grant's humanity and charm in the role of Nicky that engenders sympathy for Bianca, not the script.
A full career after movies. In 1947, at the age of 36, Gail Patrick married literary agent Cornwell Jackson and walked away from acting. A lifelong diabetic who found childbearing difficult (she gave birth to premature twins who lived only a short time), it's sweet and touching that upon her retirement she opened a playground in her home, an informal daycare for the children of working actors and actresses. She also took her lifelong love of fashion and turned that toward kids, designed a line of children's wear. Happily, she and Jackson eventually adopted two children to complete their family.
She in died 1980 at age 69, but she lives on through the Gail Patrick Charitable Trust Scholarship. In her will, she left $1 million to the help "young women of distinction" continue their education, regardless of their finances. She is also remembered for lending her time and talents to the American Lung Association's Christmas Seals Campaign. "My Man Godfrey" would have been very proud of how beautifully "Miss Cornelia" turned out!
Three great bloggers/Twitter pals, Kellee (@IrishJayhawk66), Aurora (@CitizenScreen), and Paula (@Paula_Guthat), are co-hosting a celebration of character actors–those indelible supporting players who populate some of our favorite films. As they explain:
“[We] are dedicating an event to the great character actors that so enhanced our classic movies. To the faces, the laughs, the drama presented by these wonderful actors whose names all too often go unrecognized we dedicate WHAT A CHARACTER!
- Would Casablanca be as great without the laughs provided by S. K. Sakall?
- Would we want to look out Rear Window if not for the warnings of Thelma Ritter?
- Can you measure how much Edward Everett Horton added to the fabulous Astaire/Rogers pictures?
We think these and so many others deserve their due.
So, here we are with a blogathon in their honor.”
Gal, WONDERFUL post! Gail Patrick is unforgettable in so many roles, particularly the three you (wisely) chose. Love them all. But she is one of the ones whose name I never remember. A very worthy tribute this is. I agree with all your comments and will only add I absolutely HATE her as Bianca in MY FAVORITE WIFE, which only goes to show how great she is. The wronged woman yet she is convincing in her upper-crust snippiness that I would hate for Cary to end up with her. She's wonderful in the hateful role.ReplyDelete
I really enjoyed reading this - a great addition to our event!
What a wonderful tribute to a very talented actress and what great insights into some of Gail Patrick's best (and most famous) roles. I love her in all three films you highlighted. In "My Man Godfrey," her character goes through quite an extraordinary change, unlike the rest of the folks in the film. It's really quite remarkable that in the beginning you hate her and by the end, you're practically in tears at the genuine change in her character. I really enjoyed this post and your writing style very much.ReplyDelete
Thanks so much for this profile of Gail Patrick...I only knew her as the woman you love to hate, it's great that she was so kind in real life :)ReplyDelete
Not sure if my first comment went through...thanks so much for this profile of Gail Patrick. I only knew her as the woman you love to hate, it's great that she was so kind in real life :)ReplyDelete
I'm so glad you included that picture of her when she was older. What a beauty. Sad that she died relatively young, and the story about her twins is heartbreaking. Great post. Thanks!ReplyDelete
So glad you chose Gail Patrick. She was a great actor and I don't feel she receives the recognition she deserves. I liked the film roles you chose to focus on. :)ReplyDelete
I loved reading this, it lets me see inside a fantastic actress that I almost always despise in the movies I've seen her in. This is a wonderful tribute! And yes, "My Man Godfrey" would have been very proud of her in the end :)ReplyDelete
Nice write-up, and I'm especially glad you spotlighted "Stage Door", which is one of my all-time favorites. I do have one slight disagreement about her character in "Stage Door"; my impression is she does come from a somewhat wealthy background, because she alludes several times to getting gifts from her "Aunt Susan".ReplyDelete
Thanks for all the positive input, everyone! I enjoyed this blogathon so much!ReplyDelete
BTW, "Aunt Susan" was a euphemism for Anthony Powell (Adolphe Menjou), her sugar daddy.
A really terrific post on this exquisite actress. I agree, in "My Man Godfrey", she's the more captivating character. Gail Patrick is invariably interesting to watch in any of her films. So nice that her post-acting life was so rewarding. Great info and observations.ReplyDelete
Thoroughly enjoyable post! Great movie picks too! My Favorite Wife is one of my fav films, and Gail Patrick is wonderful in it!ReplyDelete
Thoroughly enjoyable post! Great film picks too. Gail Patrick does a wonderful job in all. Love her as Bianca in My Favorite Wife!ReplyDelete
Great write up! I love the movie Stage Door and once you get past the leads of Hepburn and Rogers, the movie is a wonder group of supporting and character actresses.ReplyDelete
And the banter between them is absolutely superb!
Thanks so much for the write-up on an actress I knew less about 20 minutes ago!
What a nice lifestory! It was great to know more about her.ReplyDelete
Don't forget to read my contribution to the blogathon! :)
I enjoy Gail on screen and admire her behind the scenes work. She was referred to as "the boss" by the "Perry Mason" staff, and looks great in the fun final episode.ReplyDelete
My husband thinks Cary Grant is a dope for dropping her in "My Favorite Wife". According to my one and only, Gail's hotness spans the decades.
I'm not familiar with Gail Patrick, so I really appreciate you sharing her roles with us. I'll be looking for her films to watch.ReplyDelete